• 
• 15 min
• Kinolab
• 1997

Vincent, an “invalid” from the proximate future, was born naturally and is therefore seen as less  than humans such as his brother Anton who were conceived in a computational genetic selection process to ensure that the best traits are carried on. Thus, in this eugenic society, biometric technologies such as finger pricks and other scans are used to detect superior and inferior human genomes. Vincent, relinquished to service jobs, steals the identity of a genetically superior man named Eugene to fulfill his goal of going on a space mission, yet is never able to let go of his sibling rivalry. However, Vincent sets himself up to prove that humans edited through this computational genomics project are not automatically superior to those naturally born.

• Fundamental Ethics
• Edited Humans
• Biometrics
• Computational Genomics

• 
• 6 min
• Kinolab
• 2014

In this episode, Matt and Joe Potter, who inhabit the same cabin, tell each other short stories from their lives. Eventually, Joe Potter reveals that he killed his former father in law, and shortly after became responsible for the murdered man’s granddaughter freezing to death in the snow. Once he confesses this crime, it is revealed that Joe Potter is actually a digital consciousness trapped inside a virtual reality manipulated by Matt, designed in order to get his murder confession. Now having given a clear confession, his digital consciousness is sentenced to live inside a virtual reality, existing in nothingness for thousands of years.

• Computing Ethics Issues
• Digital Immortality
• Brain-Computer Interfaces
• Virtual Reality

• 
• 13 min
• Kinolab
• 2013

In this episode, Victoria wakes up with no memory of who she is in a post-apocalyptic scenario. She is chased and hunted by weapon-toting masked people, and gets no help from the bystanders who record her horrific struggle for survival on their smartphones. Eventually, it is revealed that this scenario is an engineered reality. While the digital technologies present here are limited, this narrative stands as an effective metaphor to study the phenomenon of “cancel culture” and other ways in which digital technologies alienate the humanity of others.

• Fundamental Ethics
• Technology Based Entertainment and Leisure
• Mixed Reality
• Smartphones

• 
• 8 min
• Kinolab
• 2019

Chris is a ride-share driver who has taken passenger Jaden hostage, with the conditions of release being that he is connected with Billy Bauer, the CEO of social media company Smithereen, for a conversation. While the London police attempt to deal with the situation through negotiation, the management team at Smithereen uses several data mining techniques, including analysis of Chris’s various social media pages and audio data streaming from his device, to provide the police with a valuable and complete profile on Chris.

• Data Privacy
• Predictive Policing
• Tech Monopolies
• Data Mining
• Social Networks

• 
• 12 min
• Kiniolab
• 1968

In the opening of the film, the viewpoint jumps from the earliest hominids learning how to use the first tools to survive and thrive in the prehistoric era to the age of space travel in an imagined version of the year 2001. In both cases, the scientific innovation surrounds a mysterious, unmarked monolith.

• Fundamental Ethics
• Scientific Innovation

• 
• 13 min
• Kinolab
• 2018

Cassius “Cash” Green, once a telemarketer, has now moved up into the upper echelons of WorryFree, a dangerous and controversial corporation which is revealed to be undertaking genetic experiments on humans with the goal of creating a more productive labor force. Once Cash exposes this monstrosity to the world, he finds that society has a positive reaction, opposite to what he expected, and thus undertakes a protest against the corporation. Although this hypothetical scenario is highly fantastical, the metaphor is nonetheless apt for describing late-stage capitalism in America.

• Fundamental Ethics
• Edited Humans
• Computational Genomics