Brain-Computer Interfaces (41)

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Find narratives by ethical themes or by technologies.

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Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
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  • Media Type
  • Availability
  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 11 min
  • Kinolab
  • 1993
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Interface: The Virtual Extension of the Self

Geordie uses a brain-computer interface, which projects his consciousness into a mobile avatar controlled by his neural impulses, to explore distant ships. This humanoid avatar is able to perform tasks that go beyond human capabilities, such as shooting phaser beams from the hands. However, upon discovering the dead crew of the Raman, it is revealed that the lines separating his virtual reality and true reality are blurred.

  • Kinolab
  • 1993
  • 3 min
  • Kinolab
  • 2019
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Digitally Reproducing Humans and “Possession”

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Tom and Ben find out that their father Lawrence, the creator of the Feed, harvested the Feeds from dead people and used the data stored therein to upload their consciousnesses, including memories and emotions, into a cloud. After seeing the “training data” of Lawrence creating digital consciousnesses on this program, an AI was able to make many more digital consciousnesses of non-real people. These consciousnesses are then able to “possess” human bodies through being uploaded to the Feed devices implanted in real people’s brains.

  • Kinolab
  • 2019
  • 4 min
  • Kinolab
  • 2019
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Digital Withdrawal

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Danny is a teenager who has become so addicted to the cacophony of entertainment coming through the Feed that he is unable to interact with people in the real world once everything in his Feed is turned off.

  • Kinolab
  • 2019
  • 5 min
  • Kinolab
  • 2019
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VR Intimacy and Objectification

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Ben, a member of the family who owns the company which created the Feed, uses the augmented reality features to create a virtual version of his ex-wife, Miyu, who he can make indulge in his own fantasies, regardless of what those may be. Eventually, this digital version of Miyu starts to glitch, but Ben nonetheless begins to share this virtual, subservient clone to other people to use in their own fantasies.

  • Kinolab
  • 2019
  • 2 min
  • Kinolab
  • 2019
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Implanted Technology and Disconnection

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Max, a citizen whose Feed was hacked, has to get the device removed from his body as his best friends watch. This procedure includes the removal of some of his memories from both his brain and from the device, although they manage to upload these into a cloud.

  • Kinolab
  • 2019
  • 5 min
  • Kinolab
  • 2019
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Genetic Implants and Choice

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Lawrence, the CEO of the tech monopoly which created the Feed, explains to his son Tom that the newest model of the Feed is a quasi-organic implant which automatically appears in the makeup of an infant’s brain; they are born with it, having no say in whether or not it should be there and being unable to remove it. Lawrence and Tom then debate the pros and cons of this approach.

  • Kinolab
  • 2019
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