Deep Fake (16)

Creation of synthetic media using advanced computing algorithms

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Find narratives by ethical themes or by technologies.

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Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
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Additional Filters:
  • Media Type
  • Availability
  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 4 min
  • Kinolab
  • 2018
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Digitizing the Fictional and Copyright Claims

Wade Watts lives in an imagined future in which the OASIS, a limitless virtual reality world, acts as a constant distraction from the real world for the majority of citizens. In this scene, the virtual avatars of himself and his team search for a McGuffin item in the digitally rendered atmosphere of the film The Shining, with features of the film such as the twin girls making an appearance.

  • Kinolab
  • 2018
  • 14 min
  • Kinolab
  • 2019
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Celebrity Autonomy, Producer Tyranny, and Holographic Performances

Ashley O is a pop star who lives and works under the tyrannical direction of her aunt and producer, Catherine. After Ashley decides she wants to rebel against her contract, Catherine places her in a coma and scans her brain to help create a digital likeness of Ashley O and produce new music which the 3D holograph can perform, all under Catherine’s control. Meanwhile, siblings Rachel and Jack hack a robot based on a synaptic snapshot of Ashley O, allowing the virtual consciousness of Ashley O to be reborn in the robot and help plot to take down Catherine. Working together, they manage to thwart the grand debut of the edited holographic version of Ashley O.

  • Kinolab
  • 2019
  • 4 min
  • Kinolab
  • 1982
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Robotic Animals

While attempting to track down humanoid robots, or “replicants”, that he must kill, Officer Rick Deckard goes to Chinatown to analyze his singular piece of evidence; a snake scale. The scale is revealed to be from an android snake crafted within Chinatown.

  • Kinolab
  • 1982
  • 5 min
  • Kinolab
  • 2019
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VR Intimacy and Objectification

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Ben, a member of the family who owns the company which created the Feed, uses the augmented reality features to create a virtual version of his ex-wife, Miyu, who he can make indulge in his own fantasies, regardless of what those may be. Eventually, this digital version of Miyu starts to glitch, but Ben nonetheless begins to share this virtual, subservient clone to other people to use in their own fantasies.

  • Kinolab
  • 2019
  • 7 min
  • Kinolab
  • 2017
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Fabricated Memories and Believability

In his hunt for a missing android child, the robot police officer K visits Dr. Ana Stelline to determine if a memory of his own from his childhood is real or fabricated. Dr. Stelline is in the business of creating false memories to implant into robot’s heads in order to make them seem more believably human. She argues that having memories to lean on as one experiences the world is a cornerstone of the human experience.

  • Kinolab
  • 2017
  • 7 min
  • Kinolab
  • 2013
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Digital Performers and the Gift of Choice

In this film, actress Robin Wright plays a fictionalized version of herself as an actress whose popularity is declining. Her agent Al exposes her to deep fake technology which creates a virtual version of an actor to play a role in any number of scenarios or films. These “actors” are 3D holographs with AI that have been trained to replicate the real person which they imitate. However, Robin is disconcerted with the lack of agency that she would have in deciding how her image and identity appeared in these movies.

  • Kinolab
  • 2013
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