Themes (315)

View options:

Find narratives by ethical themes or by technologies.

FILTERreset filters
Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
Show more themes
Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
Show more technologies
Additional Filters:
  • Media Type
  • Availability
  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 6 min
  • Wired
  • 2019
image description
The Toxic Potential of YouTube’s Feedback Loop

Spreading of harmful content through Youtube’s AI recommendation engine algorithm. AI helps create filter bubbles and echo chambers. Limited user agency to be exposed to certain content.

  • Wired
  • 2019
  • 14 min
  • Kinolab
  • 2014
image description
Interaction Records and Privacy from Parents

Brandy and Tim are two teens who attempt to live normal lives through interacting with their peers through social media platforms. For Brandy, this means using a secret Tumblr account to express herself, since her mother has passwords to all her other accounts and is able to constantly collect data from her daughter’s devices. Tim finds similar comfort in chatting with anonymous friends in an online game chat room. Tim and Brandy’s developing relationship is threatened once both of their parents overstep and violate their children’s privacy and trust.

  • Kinolab
  • 2014
  • 3 min
  • Kinolab
  • 2009
image description
Digital Environment Analysis

In a distant future after the “Water War” in which much of the natural environment was destroyed and water has become scarce, Asha works as a curator at a museum which displays the former splendor of nature on Earth. She receives a mysterious soil sample which, after digital analysis using a object recognition to take data from the soil, surprisingly contains water.

  • Kinolab
  • 2009
  • 10 min
  • Kinolab
  • 1998
image description
Celebrity Culture, Streaming Life, and Reality Television

Truman, the result of an unwanted pregnancy, was the first baby to be legally adopted by a corporation. From this adoption, he grew up on the set of a reality TV show in a massive sound stage, completely unaware that he was constantly being filmed and watched by viewers all across the world. As an adult, he begins to suspect that something about his reality is very wrong, and confronts his wife about this perception. Sylvia, a love interest of Truman, affirms her stance that documenting Truman without his consent is an unethical form of entertainment since he has no agency. Ultimately, he is able to reclaim this agency by leaving the show’s set and joining the real world.

  • Kinolab
  • 1998
  • 8 min
  • Kinolab
  • 1984
image description
Robotic Impostors

Rotwang, a reclusive inventor, invents a robot to replace his love Hel whom he lost to Joh Frederson. He claims that it has everything it needs to replace her except for a soul. Joh Frederson takes advantage of the robot’s design as an artificial companion to imitate Maria’s likeness, essentially creating a copy of her. The purpose of this is to infiltrate the working class and use Maria, who the workers admire, as a tool to further Joh Frederson’s agenda to suppress a laborer’s manifestation. The workers have unknowlingly placed so much trust into the robot version of Maria that they refuse to listen to Grot as a fellow worker, destroying the Heart Machine as Joh intended.

  • Kinolab
  • 1984
  • 5 min
  • Kinolab
  • 2015
image description
Child Computer Use

In this Steve Jobs biopic, he is depicted as a man whose ego and pride regarding his work obscures his ability to treat others with respect and kindness. Only after seeing his daughter Lisa make art using MacPaint does Steve Jobs consider providing more financial support to her and Chrisann, his ex-wife. He initially argues that he is not beholden to this financial support, given that his company already donates computers to less privileged schools.

  • Kinolab
  • 2015
Load more