Social Networks (42)
Find narratives by ethical themes or by technologies.
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- 13 min
- Kinolab
- 2011
In this episode, Bing Madsen is one of many citizens who provide power to the digital world through spending each day on a stationery bike, which earns him “merits” to spend on both leisure activities and necessities. These laborers, along with all other classes, are constantly surrounded by screens in which their digital avatars can participate in virtual activities like biking on a road or being in a “live” studio audience. The reality competition show “Hot Shot” is one program streamed on these screens. In this narrative, Bing conspires to grab the attention of the world on stage, proclaiming that the whole digital world is fake and has brainwashed the laborers into providing power while upper classes get more leisure and enjoyment. This eventually lands him with his own talk show, where he recreates his suicide threats for sensational content in exchange for a more lucrative lifestyle.
- Kinolab
- 2011
Technological Immersion, Digital Underclasses, and Attention Economies
In this episode, Bing Madsen is one of many citizens who provide power to the digital world through spending each day on a stationery bike, which earns him “merits” to spend on both leisure activities and necessities. These laborers, along with all other classes, are constantly surrounded by screens in which their digital avatars can participate in virtual activities like biking on a road or being in a “live” studio audience. The reality competition show “Hot Shot” is one program streamed on these screens. In this narrative, Bing conspires to grab the attention of the world on stage, proclaiming that the whole digital world is fake and has brainwashed the laborers into providing power while upper classes get more leisure and enjoyment. This eventually lands him with his own talk show, where he recreates his suicide threats for sensational content in exchange for a more lucrative lifestyle.
How can technology be used/how is technology used to pacify the masses? What connection can you make to the society depicted here and the way that social media and other digital companies use data to make profits? How can digital technologies become a breeding ground for sensational content, and can this problem be fixed? Can anyone be “unplugged” and successful in our reality? How do internet communities commodify authenticity?
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- 2 min
- Kinolab
- 2014
In this brief clip, Matt explains that he was once “blocked” by his wife in real life. In this society, mostly everyone possesses a brain-computer interface. and are thus able to remove anyone they please from their experience of society and the world.
- Kinolab
- 2014
The Realism and Consequences of “Blocking”
In this brief clip, Matt explains that he was once “blocked” by his wife in real life. In this society, mostly everyone possesses a brain-computer interface. and are thus able to remove anyone they please from their experience of society and the world.
Does “blocking” people in the digital world translate well to the real world? Is it realistic for humans to always be able to avoid people they don’t wish to see? What might people miss out on if they block everyone who they deem unfit of their attention? Do the positives of being able to block people in the digital world outweigh the negatives, or vice versa, or neither?
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- 9 min
- Kinolab
- 2010
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room as a small site among friends soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history… but for this entrepreneur, success leads to both personal and legal complications.
- Kinolab
- 2010
Facebook Origins and Control Over Photos
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room as a small site among friends soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history… but for this entrepreneur, success leads to both personal and legal complications.
With increased sophistication of hacking, are anyone’s photos ever private in a digital space? When personal photos are uploaded to digital platforms for one purpose, how can users ensure that they are not used for another purpose? Has Facebook truly evolved beyond its roots of using photos to make binary judgements about people, or will this “hot or not” program always be a part of its character? How are women in particular targeted and impacted by privacy of photos? How does this narrative highlight some of the problems with the use of Facebook today? How did Facebook’s “coolness,” along with its apparent lack of cost for use, help it corner markets and make unfathomable profits?
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- 8 min
- Kinolab
- 2016
In a world in which social media is constantly visible, and in which the averaged five star rating for each person based on every single one of their interactions with others are displayed, Lacie tries to move into the higher echelons of society. She does this by consistently keeping up saccharine appearances in real life and on her social media feed because everyone is constantly connected to this technology. Once she is spurred to up her rating, Lacie gets an invite to a high-profile wedding. However, after a few unfortunate events leave her seeming less desirable to others, thus lowering her rating, she finds her world far less accessible and kind. For further reading and real-life connections, see the narrative “Inside China’s Vast New Experiment in Social Ranking.”
- Kinolab
- 2016
Lacie Part I: Translating Online Interactions and Social Quantification
In a world in which social media is constantly visible, and in which the averaged five star rating for each person based on every single one of their interactions with others are displayed, Lacie tries to move into the higher echelons of society. She does this by consistently keeping up saccharine appearances in real life and on her social media feed because everyone is constantly connected to this technology. Once she is spurred to up her rating, Lacie gets an invite to a high-profile wedding. However, after a few unfortunate events leave her seeming less desirable to others, thus lowering her rating, she finds her world far less accessible and kind. For further reading and real-life connections, see the narrative “Inside China’s Vast New Experiment in Social Ranking.”
How do digital platforms promote inauthenticity? Why do appearances matter more in the digital age? Can digital technologies ever truly perfectly mirror an in-person interaction? Do the shallower ways in which people communicate online translate well into the real world? How could digital social platforms do better at promoting longer connection instead of the instant gratification of likes or ratings? Should social media platforms be so focused on quantifying interactions, in terms of likes or comments or followers? How can this quantification be de-emphasized?
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- 16 min
- Kinolab
- 2016
In a world in which social media is constantly visible, and in which the averaged five star rating for each person based on every single one of their interactions with others are displayed, Lacie tries to move into the higher echelons of society. She does this by consistently keeping up saccharine appearances in real life and on her social media feed because everyone is constantly connected to this technology. En route to an important wedding, she loses several points in her rating, yet still finds solace with a truck driver who offers her a ride. After releasing her true emotions at the wedding (from which she was ultimately disinvited for her low score), she is jailed and continues the release of her pent-up emotions. For further reading and real-life connections, see the narrative “Inside China’s Vast New Experiment in Social Ranking.”
- Kinolab
- 2016
Lacie Part II: Everyday Influencers and “Keep Instagram Casual”
In a world in which social media is constantly visible, and in which the averaged five star rating for each person based on every single one of their interactions with others are displayed, Lacie tries to move into the higher echelons of society. She does this by consistently keeping up saccharine appearances in real life and on her social media feed because everyone is constantly connected to this technology. En route to an important wedding, she loses several points in her rating, yet still finds solace with a truck driver who offers her a ride. After releasing her true emotions at the wedding (from which she was ultimately disinvited for her low score), she is jailed and continues the release of her pent-up emotions. For further reading and real-life connections, see the narrative “Inside China’s Vast New Experiment in Social Ranking.”
Are shallow interactions and the improbability of someone saying what they truly mean on a platform inherent to the design of digital social networks? How does social media put pressure on people to change events or relationships in their real life to keep up positive appearances? Consider movements such as “Keep Instagram Casual,” which implores users to post whatever they like, whenever they like, rather than being beholden to strict societal rules on what is acceptable to post. Can this occur with a user-centric push, or does something about the design of the platforms need to change? Does “digital niceness” actually benefit anyone? How do figures such as influencers take advantage of digital platforms to set social norms online and offline?
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- 8 min
- Kinolab
- 2016
In this extreme imagination of social media, detectives Karin Parke and Blue Coulson try to discover the correlation between two recent deaths. They first interrogate a teacher who posted “#DeathTo @JoPowersWriter” along with a photo of controversial journalist Jo Powers on the day before Jo was found dead. The teacher discusses the popularity of this message and the hashtag, sharing that an entire online community split the cost of sending Jo a hateful message on a cake. Later on, the detectives discover that these deaths were determined by bots and the trending of the #DeathTo, and that whichever name had the most hits under this hashtag were hunted down and killed by a mysterious force.
- Kinolab
- 2016
Social Media Trends and Hive Mind Justice
In this extreme imagination of social media, detectives Karin Parke and Blue Coulson try to discover the correlation between two recent deaths. They first interrogate a teacher who posted “#DeathTo @JoPowersWriter” along with a photo of controversial journalist Jo Powers on the day before Jo was found dead. The teacher discusses the popularity of this message and the hashtag, sharing that an entire online community split the cost of sending Jo a hateful message on a cake. Later on, the detectives discover that these deaths were determined by bots and the trending of the #DeathTo, and that whichever name had the most hits under this hashtag were hunted down and killed by a mysterious force.
How does this relate to the phenomenon of “cancel culture” in the real world? How can buzzwords commonly used online translate poorly into real life? How can digital social media be re-imagined so that users are less susceptible to “trends” started by bots? Is there a possibility that social media might give too much power or too high of a platform to the general population?