Promotion of Human Values (161)

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Find narratives by ethical themes or by technologies.

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Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
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Additional Filters:
  • Media Type
  • Availability
  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 2 min
  • Kinolab
  • 2019
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Personal Control over Memories

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his father had deleted some of his childhood memories from the device in his brain, thus Tom has lost all access to them. For further insights into technology and the nature of parent-child relationships, see the narratives “Marie and Sara Parts I and II.”

  • Kinolab
  • 2019
  • 3 min
  • Kinolab
  • 2019
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Digital Cloning

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his best friend Max is a robot of sorts, posing as a human. In reality, the body in the tub is a host which contains the digital consciousness of Max, formerly uploaded to a cloud through his feed and then downloaded into this new body. The new version of Max debates with Tom about why he should be considered a true human being.

  • Kinolab
  • 2019
  • 3 min
  • Kinolab
  • 2019
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Digitally Reproducing Humans and “Possession”

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Tom and Ben find out that their father Lawrence, the creator of the Feed, harvested the Feeds from dead people and used the data stored therein to upload their consciousnesses, including memories and emotions, into a cloud. After seeing the “training data” of Lawrence creating digital consciousnesses on this program, an AI was able to make many more digital consciousnesses of non-real people. These consciousnesses are then able to “possess” human bodies through being uploaded to the Feed devices implanted in real people’s brains.

  • Kinolab
  • 2019
  • 3 min
  • Kinolab
  • 2020
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Self-Driving Vehicles and Drone Traffic Stops

Nathan, a computer programmer, lives in an imagined version of 2033 in which all cars are equipped with a vocal assistant and an autonomous drive program. When he takes control of his own car and drives recklessly, he is pulled over by a police drone. Eventually, he meets his demise when the autonomous drive in his car fails to recognize a parked truck in the middle of the road.

  • Kinolab
  • 2020
  • 10 min
  • Kinolab
  • 2020
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Virtual Afterlives and Adaptation

After dying in a car crash, computer programmer Nathan’s consciousness is uploaded into the  Lakeview program, one of many digital afterlives in which resurrected consciousnesses are guided through the virtual reality by a living “angel” figure. After Nathan struggles to adapt to his new reality, his angel figure, Nora, appears in the virtual reality to convince him to stay. However, Nora is having struggles of her own in convincing her father to accept the virtual afterlife in place of a supposed real heaven. For a similar premise, see the narrative “Afterlives and Liberation in Digital Utopias” on the San Junipero episode of Black Mirror. 

  • Kinolab
  • 2020
  • 2 min
  • Kinolab
  • 2020
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Online Dating Devices

Nightly is an app used prominently in dating and hookup culture in this imagined version of 2033. It includes features such as a rating and comment system, a consent requirement, and body cameras. This narrative details the experience of a woman named Nora as she uses the technology with a hookup

  • Kinolab
  • 2020
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