Brain-Computer Interfaces (43)

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Find narratives by ethical themes or by technologies.

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Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
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  • Media Type
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  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 3 min
  • Kinolab
  • 2019
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Digital Cloning

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his best friend Max is a robot of sorts, posing as a human. In reality, the body in the tub is a host which contains the digital consciousness of Max, formerly uploaded to a cloud through his feed and then downloaded into this new body. The new version of Max debates with Tom about why he should be considered a true human being.

  • Kinolab
  • 2019
  • 2 min
  • Kinolab
  • 2019
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Technological Superhighways and Monopolistic Control

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this clip, Meredith must seek help from the leader of a developing country without the Feed network, because the Feed has become hacked and is bringing down infrastructure with it.

  • Kinolab
  • 2019
  • 3 min
  • Kinolab
  • 2019
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Digitally Reproducing Humans and “Possession”

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Tom and Ben find out that their father Lawrence, the creator of the Feed, harvested the Feeds from dead people and used the data stored therein to upload their consciousnesses, including memories and emotions, into a cloud. After seeing the “training data” of Lawrence creating digital consciousnesses on this program, an AI was able to make many more digital consciousnesses of non-real people. These consciousnesses are then able to “possess” human bodies through being uploaded to the Feed devices implanted in real people’s brains.

  • Kinolab
  • 2019
  • 4 min
  • Kinolab
  • 2020
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Augmented Communication and a Post-Privacy Era

In this imagined future, citizens interact with the world and with each other through brain-computer interface devices which augment reality in ways such as sending each other visual messages or changing one’s appearance at a moment’s notice. Additionally, with this device, everyone can automatically see a “ranking” of other people, in which Alphas or As are the best and Epsilons or Es are the worst. With all of these features of the devices, privacy in its many forms is all but outlawed in this society.

  • Kinolab
  • 2020
  • 7 min
  • Kinolab
  • 2008
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Selling Digitized Memories

Under threat of eviction, Luz must find a quick way to make some money to pay rent. Thankfully, through the company TruNode, she can digitize her memories and sell them on the internet for anyone who may wish to access and stream them. While this seems convenient, the downsides are shown when the repository of her memories are used to help ruthless drone pilot Rudy Ramirez hunt down an innocent laborer who is a supposedly dangerous criminal. After Luz reveals this means of making money to Memo, the aforementioned innocent laborer, he is less than enthused with the system.

  • Kinolab
  • 2008
  • 6 min
  • Kinolab
  • 2019
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Consent and Control with Personal Data

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Kate Hatfield, a new mother, discovers that someone has hacked into the device in her head, and thus was able to access some of her lived memories. Later, the culprit of this hack is revealed to be her father-in-law Lawrence, who was attempting to implant the Feed into Bea, the new baby.

  • Kinolab
  • 2019
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