Promotion of Human Values (161)

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Find narratives by ethical themes or by technologies.

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Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
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  • Media Type
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  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 5 min
  • Vice
  • 2020
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Robotic Beasts, Wildlife Control, and Environmental Impact

Robot researches in Japan have recently begun to use robotic “monster wolves” to help control wildlife populations by keeping them out of human civilizations or agricultural areas. These robots are of interest to robot engineers who work in environmentalism because although the process of engineering a robot does not help the environment, the ultimate good accomplished by robots which help control wildlife populations may outweigh this cost.

  • Vice
  • 2020
  • 5 min
  • Kinolab
  • 2015
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Child Computer Use

In this Steve Jobs biopic, he is depicted as a man whose ego and pride regarding his work obscures his ability to treat others with respect and kindness. Only after seeing his daughter Lisa make art using MacPaint does Steve Jobs consider providing more financial support to her and Chrisann, his ex-wife. He initially argues that he is not beholden to this financial support, given that his company already donates computers to less privileged schools.

  • Kinolab
  • 2015
  • 8 min
  • Kinolab
  • 1984
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Robotic Impostors

Rotwang, a reclusive inventor, invents a robot to replace his love Hel whom he lost to Joh Frederson. He claims that it has everything it needs to replace her except for a soul. Joh Frederson takes advantage of the robot’s design as an artificial companion to imitate Maria’s likeness, essentially creating a copy of her. The purpose of this is to infiltrate the working class and use Maria, who the workers admire, as a tool to further Joh Frederson’s agenda to suppress a laborer’s manifestation. The workers have unknowlingly placed so much trust into the robot version of Maria that they refuse to listen to Grot as a fellow worker, destroying the Heart Machine as Joh intended.

  • Kinolab
  • 1984
  • 10 min
  • Kinolab
  • 1998
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Celebrity Culture, Streaming Life, and Reality Television

Truman, the result of an unwanted pregnancy, was the first baby to be legally adopted by a corporation. From this adoption, he grew up on the set of a reality TV show in a massive sound stage, completely unaware that he was constantly being filmed and watched by viewers all across the world. As an adult, he begins to suspect that something about his reality is very wrong, and confronts his wife about this perception. Sylvia, a love interest of Truman, affirms her stance that documenting Truman without his consent is an unethical form of entertainment since he has no agency. Ultimately, he is able to reclaim this agency by leaving the show’s set and joining the real world.

  • Kinolab
  • 1998
  • 4 min
  • Kinolab
  • 1995
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Identity Through Memory and Data

In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. Major, a security officer, sees how a garbage man is sad to know that his ghost has been hacked and filled with false memories of a family, and dives to set up her own reflections with self-identity developed later in the film, especially as she starts to believe that she may be entirely a cyborg with no knowledge of such an existence. Essentially, because the human body has become so thoroughly and regularly augmented with cybernetic parts and even computer brains, defining a real “human” becomes harder and harder.

  • Kinolab
  • 1995
  • 12 min
  • Kinolab
  • 1973
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Simulated Humans and Virtual Realities

Simulacron is a virtual reality full of 10,000 simulated humans who believe themselves to be sentient, but are actually nothing more than programs. The identity units in Simulacron do not know or understand that they are artificial beings, and they behave under the idea that they are real humans. “Real” humans can enter this virtual reality through a brain-computer interface, and control the virtual identity units. Christopher Nobody, a suspect whom Fred is trying to track down, had the revelation that he was an identity unit, and that realization led to a mental breakdown. In following this case, Fred meets Einstein, a virtual unit who desires to join the real world. As Einstein enacts the final stages of this plan, Fred discovers a shocking secret about his own identity. For a similar concept, see the narrative “Online Dating Algorithms” on the Hang the DJ episode of Black Mirror. 

  • Kinolab
  • 1973
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