Robotics (65)

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  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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  • Year
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  • 5 min
  • MIT Technology Review
  • 2019
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When algorithms mess up, the nearest human gets the blame

Humans take the blame for failures of AI automated systems, protecting the integrity of the technological system and becoming a “liability sponge.” It is necessary to redefine the role of humans in sociotechnical systems.

  • MIT Technology Review
  • 2019
  • 4 min
  • Kinolab
  • 2017
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Robot Relationships and Marriage

K is an android who works with the LAPD to track down and destroy escaped older models of “replicants,” or humanoid robots, in a world where androids work as laborers without compensation. In this clip, we meet K’s virtual wife, Joi. Although she is not ‘real,’ it seems like she has real human feelings and presents like a human woman who provides K company and can complete tasks such as making him dinner.

  • Kinolab
  • 2017
  • 12 min
  • Kinolab
  • 1982
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Distinguishing Between Robots and Humans

In dystopian 2019 Los Angeles, humanoid robots known as “replicants” are on the loose, and must be tracked down and killed by bounty hunters. The normal role for replicants is to serve as laborers in space colonies; they previously were not meant to incorporate into human society. The first two clips demonstrate the Voigt-Kampff test, this universe’s Turing Test to determine if someone is a replicant or a human. While the android Leon is discovered and retaliates quickly, Rachel, a more advanced model of android, is able to hide her status as an android for longer because she herself believes she is human due to implanted memories. When this secret is revealed to Rachel, she becomes quite upset.

  • Kinolab
  • 1982
  • 11 min
  • Kinolab
  • 1982
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Meaning and Duration of Android Lives

Roy Batty is a rogue humanoid android, known as a “replicant,” who escaped his position as an unpaid laborer in a space colony and now lives among humans on Earth. After discovering that he only has a lifespan of four years, Roy breaks into the penthouse of his creator Eldon Tyrell and implores him to find a way to prolong his life. After Tyrell refuses and lauds Roy’s advanced design, Roy kills Tyrell, despite seeing him as a sort of father figure. After fleeing from the penthouse, he is found by android bounty hunter Rick Deckard, who proceeds to chase him across the rooftops. After a short confrontation with Deckard, Roy delivers a monologue explaining his sorry state of affairs.

  • Kinolab
  • 1982
  • 7 min
  • Kinolab
  • 2002
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Retinal Scans and Immediate Identification

In the year 2054, the PreCrime police program is about to go national. At PreCrime, three clairvoyant humans known as “PreCogs” are able to forecast future murders by streaming audiovisual data which provides the surrounding details of the crime, including the names of the victims and perpetrators. Joe Anderson, the former head of the PreCrime policing program, is named as a future perpetrator and must flee from his former employer. Due to the widespread nature of retinal scanning biometric technology, he is found quickly, and thus must undergo an eye transplant. While recovering in a run-down apartment, the PreCrime officers deploy spider-shaped drones to scan the retinas of everyone in the building.

  • Kinolab
  • 2002
  • 8 min
  • Kinolab
  • 2016
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Murder of Robots and Honesty

Eleanor Shellstrop, a deceased selfish woman, ended up in the utopic afterlife The Good Place by mistake after her death. She spins an elaborate web of lies to ensure that she is not sent to be tortured in The Bad Place. In this narrative, she attempts to prevent Michael, the ruler of The Good Place, from being sent to the torture chambers by murdering Janet, the robotic assistant of the good place. However, Eleanor and her companions have a harder time murdering Janet than they had prepared for thanks to her quite realistic begging for her life.

  • Kinolab
  • 2016
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